Bass baritone
Natale De Carolis
Renowned around the world as one of the best interpreters of the main Rossini’s and Mozart’s roles, Natale De Carolis debuted at the Teatro alla Scala in the opening night of the 1987/8 season in Don Giovanni with Riccardo Muti (recorded for Emi). Important debuts followed in many renowned theatres and productions: in 1988, his U.S. debut at the Metropolitan Opera in the title role of Le nozze di Figaro; in 1991, his first performance at Sidney Opera in Don Giovanni, where he returned in 1994 as Guglielmo in Così fan tutte. From then on, Natale De Carolis has enjoyed a brilliant career throughout Europe, the Americas, Israel and Australia, collaborating with important conductors and stage directors.
Natale De Carolis made his professional debut in 1983 at the Teatro Lirico Sperimentale of Spoleto «A. Belli» in the role of Don Basilio in Il barbiere di Siviglia. He returned in Spoleto to sing as Dulcamara in L’elisir d’amore and the title roles of Don Pasquale and Le nozze di Figaro. Natale De Carolis began his studies with Renato Guelfi and completed them with Maria Vittoria Romano. He was the first prize winner of the «Toti Dal Monte» Competition of Treviso.
His career was marked by successful interpretations of Le nozze di Figaro (Figaro; Metropolitan Opera with James Levine; Zurich with Nikolaus Harnoncourt; Teatro alla Scala under the baton of Riccardo Muti; Teatro La Fenice di Venezia and Wiener Staatsoper), La Cenerentola (Don Magnifico; Carnegie Hall), Händel’s Rinaldo (Teatro La Fenice di Venezia and Teatro Real in Madrid), Mozart’s Requiem (Teatro La Fenice di Venezia), and others.
If you have any questions, please contact agent Robert Cucchi at cucchi@galoyan.art .
Natale De Carolis made his professional debut in 1983 at the Teatro Lirico Sperimentale of Spoleto «A. Belli» in the role of Don Basilio in Il barbiere di Siviglia. He returned in Spoleto to sing as Dulcamara in L’elisir d’amore and the title roles of Don Pasquale and Le nozze di Figaro. Natale De Carolis began his studies with Renato Guelfi and completed them with Maria Vittoria Romano. He was the first prize winner of the «Toti Dal Monte» Competition of Treviso.
His career was marked by successful interpretations of Le nozze di Figaro (Figaro; Metropolitan Opera with James Levine; Zurich with Nikolaus Harnoncourt; Teatro alla Scala under the baton of Riccardo Muti; Teatro La Fenice di Venezia and Wiener Staatsoper), La Cenerentola (Don Magnifico; Carnegie Hall), Händel’s Rinaldo (Teatro La Fenice di Venezia and Teatro Real in Madrid), Mozart’s Requiem (Teatro La Fenice di Venezia), and others.
If you have any questions, please contact agent Robert Cucchi at cucchi@galoyan.art .